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Unable to stop, she followed it. For a gut-wrenching moment the world dropped under her. She fell through open air. A small scream escaped her, but she landed in a shallow stream of frigid water. The fall had only been a meter or so.

"Watch out!" Gray called.

Rachel rolled clear as the others slid, skidded, and dropped into the water with her. Rachel retrieved her cell phone from the edge of the stream. It still glowed. She held it up.

They were in a long stone tube, clearly man-made from the crudely hewn slabs. A wan stream flowed across its bottom.

"Where are we?" Gray asked.

"Old city sewers," Rachel answered and began to follow the flow. "It was how the ancient Romans drained the flooded stadium."

The others splashed behind her.

Kowalski sighed heavily. "I should've known. A tour of Rome with Pierce had to end up in the damn sewers."

Chapter 10

October 11, 3:12 P.M.

Washington, D.C.

Painter readied for the battle to come. He sat at his desk. He was as prepared as could be expected. After the long night, he'd taken a short nap, showered, and changed into a fresh set of clothes.

Hours ago he'd learned that Gray and Kowalski were safe and headed out of Rome. Commander Pierce had already given a sketchy report of events in Italy, but he needed to keep moving. A full debriefing would follow once he was settled in a secure location outside the city.

The office intercom buzzed. Brant spoke crisply. "Sir, I have General Metcalf for you."

Painter had already been alerted that the head of DARPA was arriving at Sigma Command. It was a rare visit. And not normally a good sign.

Painter pressed the intercom button. "Brant, send the general straight in."

Seconds later the door swung open. Painter stood as General Gregory Metcalf stalked into his office. He entered with his hat under his arm and his face locked into deep furrows.

Painter stepped around the desk to shake the man's hand, but Metcalf headed straight to a chair, tossed his cap on the desk, and waved Painter back to his own chair.

"Do you have any idea of the political shitstorm blowing out of Italy?" Metcalf said as introduction.

Crossing back behind his desk, Painter sank into his chair after Metcalf took his seat. "I'm aware of the situation, General. We're monitoring all the chatter across various intelligence channels."

"First, a firefight at a hotel, then a street chase with a trail of carnage left behind it, and to top it all off, one of the world's Seven Wonders is left firebombed. And you inform me that one of our...your operatives was at the heart of it all?"

Painter breathed through his nose. He kept the tips of his fingers resting on the edge of his desk. "Yes, sir. One of our best field agents."

"Best?" Metcalf said with sharp sarcasm. "I'd hate to see your worst."

Painter let some bite enter his own voice. "He was ambushed. He was doing what was necessary to protect an asset. To keep them all alive."

"At what cost? As I understand it, he was pursuing a matter that was a domestic Italian concern. That their own intelligence services, along with Interpol, had things well in hand. If your agent's involvement exposed or damaged-"

Painter cut him off. "General, the case has implications far beyond Italy. It was why I asked to have this face-to-face meeting. So far no one knows Sigma is involved, and I wish to keep it that way."

Metcalf studied Painter, waiting for more details. Painter let him stew. He imagined that lesser men broke under that steely gaze. Painter didn't blink.

Metcalf finally huffed out his exasperation and leaned back. "So then tell me what happened."

Painter allowed his shoulders to relax. He reached to his desk, opened a file, and slid a photo toward the general. "Here is a forensic photo of the victim killed at the Vatican."

Metcalf took the picture and examined it. His eyebrows pinched together, his equivalent of raw shock. "It's the same mark," he said. "Branded into the forehead, like Senator Gorman's son."

"And the Princeton professor," Painter agreed. He knew Metcalf had already read the report on the events at the university.

"But what does this priest have to do with what happened in Africa? I understand Jason's connection to the university professor, but this?" He slid the photo back to Painter. "It makes no sense."

"The field agent in Italy-Commander Gray Pierce-has recovered and protected a vital piece to that puzzle. A piece that someone was willing to destroy the Roman Coliseum to acquire."

"And we have it."

Painter nodded.

"What is it?"

"We're still trying to figure that out. It's an old artifact with possible ties to an excavation site in England. I'd rather keep the details quiet for now. Limited to a need-to-know basis."

"And you don't think I need to know?"

Painter stared at him. "Do you really want to know?"

Metcalf's eyes had at first narrowed angrily, then edged toward some dark amusement. "Good point. After what happened in Rome, maybe not. Plausible deniability might be the best course for now."

"I appreciate that," Painter said. And he meant it. It was the widest degree of latitude he'd ever gotten from the man.

And yet he needed more.

"Whatever is going on stretches far beyond the borders of Italy," Painter continued. "And the best way to root out the truth is to keep our involvement quiet."

Metcalf nodded, agreeing.

"Before events transpired in Italy, I had come to the conclusion that we needed more information about the genetic project being conducted at the Red Cross camp."